Serigraphs, wallpaper

This paper installation maps a non-linear history of Inwood Hill Park through native plants, local wildlife, and remnants of built architecture. Drawing on decorative arts and historical floral motifs, the screenprinted panels evoke the indulgent aesthetics of the region’s privileged past. A restrained monochromatic palette creates visual cohesion, while the layered collage and dense patterning introduce tension between excess and erasure. The result is both seductive and unsettling—a space poised between ruin and regeneration, where ornament becomes a lens for ecological memory and transformation.